For the most part, this scheme works well. For example, rather than group the solo organ works by one category, it does so by theme (e.g., New Ideas in Weimar Influences of Cantata, Concerto, and Chamber). Hänssler has organized this collection imaginatively. Other program notes in the series are more comprehensive. Unfortunately, all of them have the same boilerplate program notes. He infuses the eight volumes of the Bach chorale books with a refreshing humanism, unclogged by the usual solemnity. John Passion contains the alternate versions for five sections. Rilling applies the master's glorious counterpoint and polyphonic choral movements with emotive skill. John Passions, the Christmas Oratorio, and the Mass in B minor – shake the room with baroque jubilance and anguish. Bach's resplendent choral works – the St. The performances range from the extraordinary to the acceptable with very few clunkers. In the harpsichord concertos, expertly performed by Robert Levin, Rilling's tempo is delicious – he treats rests more like notes than pauses. His orchestral pace is swift, his performers creative. Not a proponent of the period instrument movement, he adopts a spirited modern approach. Helmut Rilling is a seasoned Bach conductor. There are treasures within for the most fanatic aficionados.ĭon't be wary about investing $1700 in the talents of one conductor. But opening it is exhilarating and overwhelming. The carton containing the CDs is so huge you'll have trouble lifting it. Buy this set and you will be knee-deep in Bach – literally.
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